A
- acapella – Italian for “in the chapel”; choral music sung without musical accompaniment
- accent – emphasis placed on a particular note thru metric placement, dynamic level, articulation, duration, or register; a strong sound
- acoustics – the science of sound
- adagio – “at ease” or leisurely; a movement with slow tempo
- allegro – quick; a movement in lively tempo
- alto – low female voice
- andante – moderately slow; a movement at a moderate or walking pace
- aria – Italian for “air”; a song which is either independent or part of a larger work
- arpeggio – the notes of a chord played rapidly one at a time
- atonality – the avoidance of a tonic note and of tonal relationships in music
- avant garde – leaders in the development of new and unconventional styles
B
- ballads – song like instrumental pieces, particularly for piano
- baritone – medium-range male voice
- bass – low male voice; lowest line of music
- bebop – a complex, highly improvised style of jazz
- Bel canto – “beautiful singing”; referring to the Italian vocal style of the 17th-19th centuries; characterized by beautiful tone, florid delivery, shapely phrasing, and effortless technique
- brass – wind instruments, including trumpet, french horn, trombone, and tuba
- break – a dramatic, unstable, strongly rhythmic section, as in a march
C
- cadence – the conclusion or punctuation point in a musical phrase; the most effective waaay of affirming or establishing the tonality of a passage
- cadenza – a virtuoso passage near the end of a concerto movement or aria
- cantata -a dramatic vocal work intended for performance in a church service
- chamber music – the term applied to instrumental (altho sometimes vocal) music played by an ensemble of usually 3-8 players, with one player per part
- chorale – a religious song with a simple tune and vernacular language
- chord – the simultaneous sounding of two or more notes
- choromaticism – the use of notes that are not in the scale upon which a composition is based
- clavier – general term for a keyboard instrument
- clef – a sign that fixes the tone represented by each line in space on the staff
- coda – “tail”; the last part of a piece or melody
- concertmaster – the conductor’s assistant and the orchestra’s first or principle violinist
- concerto – a term applied in the 17th century to ensemble music for voices and instruments; since then, it usually denotes a work in which a solo instrument contrasts with an orchestral ensemble
- conjunct – smooth or connected
- consonants – harmonious sounding together of two or more notes that are “consonant” or pleasing to the ear
- consort – an ensemble of several members of the same instrument family
- contour – shape or outline of a melody formed by its notes
- crescendo – Italian for “growing”; an instruction to become louder; opposite is decrescendo” or “diminuendo”
D
- da capo – from the beginning
- decrescendo – to become softer
- diminution – doubling the tempo
- dissonance – two or more notes sounding together and forming a discord that is not pleasing to the ear
- drone – a single tone, sounded continuously or repeated
E
- ensemble – a term for a group of players and/or singers
- ethnomusicology – the study of music of certain cultures
- ethos – the moral and ethical qualities of music
F
- falsetto – the treble range produced by adult male singers produced by a slightly artificial technique whereby the vocal cords vibrate in a length shorter than usual
- fanfare – a flourish of trumpets or other brass instruments, often with percussion for ceremonial purposes
- forte – loud
- fortissimo – very loud
G
- glissando – an expressive “slide” between pitches
H
- harmony – the combining of two notes simultaneously to produce chords and their successive use to produce chord progressions
- hymn – a religious song with a non-liturgical text
I
- impromptus – pieces of an improvisatory character
K
- key – pitch
L
- libretto – the text of a dramatic vocal work
- lieder – means “songs” in German; the term generally used for romantic art songs
- lyric – term that is used for the words of a song
M
- measure – an American term, equivalent to the English “bar”, for the metrical units marked off along the staff by vertical lines
- melody – a series of musical notes arranged in succession, in a particular rhythmic pattern, to form a recognizable unit
- meter – the organization of rhythm into strong and weak beats
- metronome – an instrument to measure tempo
- mezzo – half, moderate or medium
- mezzo forte – moderately loud
- mezzo piano – moderately soft
- minimalism – a style of music based upon many repetitions of simple melodic and rhythmic patterns
- modulation – the movement of one key into another as a continuous musical process
- motif – a short musical idea that is melodic, harmonic, rhythmic, or all three
- movement – a term applied to any portion of a musical work sufficiently complete in itself to be regarded as a separate entity
N
- notation – written music
- note – a tone or specific pitch
O
- octave – the interval of an eighth, as from C to C
- opera – a musical dramatic work in which the actors sing some of all of their parts
- operetta – a short opera
- oratorio – an extended musical setting of a sacred, usually non-liturgical text
P
- percussion – instruments played by shaking or striking
- pianissimo – very soft
- piano – soft
- pitch – the quality of a sound that fixes its position in the scale
- pizzicato – the technique of plucking instead of bowing stringed instruments
Q
- Quartet– a piece for four voices or instruments or a group that performs such a piece
R
- requiem – a mass for the dead in the Roman Catholic Church
- rhythm – the grouping of musical sounds, principally by means of duration and stress
- roulade – a decorative passage, usually in vocal music
S
- scale – a sequence of notes, ascending or descending in order of pitch
- secular – non-religious
- sonata – a piece of music, almost invariably instrumental and usually in several movements for a soloist or a small ensemble
- soprano – a high female singing voice
- staccato – short or detached
- staff – five lines and four spaces upon which music is notated
- suite – an ordered set of instrumental pieces, meant to be performed at a single setting
- symphony – an extended work for orchestra, usually in 4 movements. it is traditionally regarded as the central form for orchestral composition
- syncopation – the shifting of stressed beats in a measured pattern, ahead of or behind its normal position in that pattern
T
- tempo – the “time” of a musical composition, therefore the speed of its performance
- theme – the musical material on which part or all of a work is based
- timbre – the term describing the tonal quality of a sound
- tutti – in orchestral music, refers to the full orchestra
U
- unison – the same pitch, performed at the same or at different octaves
V
- vibrato – a fluctuation of pitch (less often intensity) on a single note in performance, especially by string players and singers
W
- woodwind – a term for wind instruments